The young Swedes seem most inspired by the bands of Germany’s Teutonic thrash movement on their debut album, The Warriors Awakening Brings the Unholy Slaughter. All four members of Stockholm’s Eternal Evil are still teenagers, but their rowdy, ripping thrash is straight out of the ’80s. The Warriors Awakening Brings the Unholy SlaughterĪging heshers, rejoice-the kids are alright. Mystras brings you there to ask a question: Which side are you on? Eternal Evil Close your eyes and you’re back in the Middle Ages, straining at the chains of a wealthy tyrant. The 14-minute epic “The Fall of the Kingdom of Jerusalem” and the blistering “To the Builders” both rank among the best songs Ayloss has ever written, and the conviction of their righteousness is matched only by the vividness of his world-building. It’s impossible to misinterpret a verse like this one, from “In the Company of Heretics”: “We are the anguish of Alexander’s feverish nightmares/ The knife in Caesar’s bloody corpse/ The tear that falls on Constantine’s cheek.” The propulsive black metal songs on Empires are constructed out of churning riffs and nimble lead work, while interludes utilizing Turkish ney flute, santoor, violin, and operatic vocals anchor the album to its medieval setting. The specifics of the history he writes about on Empires Vanquished and Dismantled can occasionally feel esoteric, but his perspective cuts to the bone. With Mystras, Ayloss articulates the ideology of anti-imperialism by evoking the class struggles of the medieval era. He’s also an avowed leftist, and a spiritual peer of antifascist acts like Dawn Ray’d and Underdark. He’s a luminary of cosmic black metal, a sound he helped define with his long-running project Spectral Lore. The Greek multi-instrumentalist Ayloss lives at the nexus of two of black metal’s bleeding edges. Thanks largely to Vella’s soaring guitar work, which bears traces of his avowed Pink Floyd fandom, the album invites us to take in the scope of the world’s gloom but cast our gaze heavenward anyway. Despite its deep roots in doom, Tide Turns Eternal isn’t a dour or depressing listen. They’re at their best when they chase a musical idea all the way to its logical endpoint the 11-minute “Dream Unending” and 10-minute title track are easily the strongest songs on the album, introducing new motifs at will even as they cannily use repetition to drive them home. #Toronto embrace gothic metal band fullOn Tide Turns Eternal, Vella and DeTore build brilliantly layered death-doom epics out of shimmering guitar and reverb-soaked vocals, leaving plenty of negative space to allow the emotions of the songs to hit with full force. Dream Unending, a new collaboration inspired by the oneiric melancholy of the Peaceville Three, is their chance to lean into aching, stately melodicism. In their primary bands, Derrick Vella of techy death metal explorers Tomb Mold and Justin DeTore of the punishing Innumerable Forms rarely play anything that’s explicitly beautiful. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to track
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